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Horses of William Pineda
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William Pineda became a virtual guest of THE SECRETS OF PERFECTION when I did research on art of mentally ill patients and criminals. After, when I started to work on pages of the guests, I rejoiced that all my guests of the 18th issue seem mentally healthy. One suspicion lay on Columbian artist William Pineda, because his dynamics has similarity to criminals' swats, centrifugal motions. But after more thorough comparison of artworks of Pineda with criminals' I unwound. No, they are not too simple. Criminals' centrifugal motions go outside of frames equally to every side, Pineda brings out viewer's glance only along one from diagonals, rising from the left lower corner to the right upper -- this effect is needful for him for greater expression -- the horses run really fast. Colors of criminals disharmonic, horrible freezing ones blood. Pineda's colors harmonic and beautiful, their indulge a viewer. Criminals' painting heavy, hard and sharp. Pineda's soft and ace. Objects of criminals nasty, Pineda's ones pictorially beautiful and snazzy. Yeah...
Jurate Macnoriute
Copyright
William Pineda
Copyright 2004,
THE SECRETS OF
PERFECTION